Deification of the 50s
Nov. 16th, 2016 11:40 amI picked up Murmuration by TJ Klune based on the rave reviews it had on Goodreads, though I did the thing you're totally NOT supposed to do when reading this book: skipped to the end to see what the "big twist" was all about. (Yeah, I'm sorry, but I took one look at the 100k wordcount and was like nope.)
One thing that somewhat bothers me is, well, kind of the whole premise. Amorea, a 1950s town, is portrayed as this incredibly idyllic place, drawing from nostalgia for the 50s, and it also serves as a backdrop for the very sweet romance between Mike and Sean.
There's only one problem.
Does no one know about the Lavender Scare? No one?
For those who can't skim the Wiki page right now: Anyone who's studied American history has heard of the Red Scare during the Cold War, yes? Well, the Lavender Scare was a similar thing: throughout the 1950s, gay men and lesbians were fired from government jobs due to prejudice (the "official" reason was that they would be "easy to blackmail" into giving away government secrets to the Communists). Which tells you a lot about attitudes towards homosexuality during that time period (don't forget it was classified as a mental disorder in the DSM at this time, too).
So, I'm sorry, but I'm just having a really hard time figuring out why an author would pick the 50s, the time of the Lavender Scare, to write this sweet M/M romance set in an idyllic small town "when things were simpler" Way Back When. It is just way too dissonant for that kind of story.
To be fair (sorry, spoilers), Amorea could have been over-idealized, with all the negative parts of the 50s scrubbed away from it. But still. There's no discussion (that I saw) in the book of the fact that this depiction of the 50s has been sanitized and that things weren't actually great for gay men/mlm back then. It frankly reads as though the author just didn't know about the Lavender Scare coinciding with this time period, meaning no, the 50s were not that idyllic for anyone who wasn't a straight white man.
As a history major, this bugs me a lot.
And to go beyond the Lavender Scare for a moment: The author has explicitly said that the book was meant to be "a love letter to 50s Americana" and that's certainly how the story feels—like a deification of small-town rural white America.
I've never understood the fetishization of the 50s. (Maybe because I'm a person of color.) But for sure, that nostalgic yearning for the 50s is a very straight white American thing, because it was straight white people, especially straight white wealthy men, who were benefitting most in the 50s. So to have this nostalgic, idyllic view of the 50s seems very alienating towards anyone who is not a straight white wealthy man—as though people of color, LGBTQ people, etc. didn't exist, or didn't matter.
It's very unsettling. Especially when you look at recent events—the rise of racism and the backlash against feminism and LGBTQ rights. It's unsettling because the idealized image of 50s small-town rural white America is exactly the kind of America Trump supporters want to "return" to.
One thing that somewhat bothers me is, well, kind of the whole premise. Amorea, a 1950s town, is portrayed as this incredibly idyllic place, drawing from nostalgia for the 50s, and it also serves as a backdrop for the very sweet romance between Mike and Sean.
There's only one problem.
Does no one know about the Lavender Scare? No one?
For those who can't skim the Wiki page right now: Anyone who's studied American history has heard of the Red Scare during the Cold War, yes? Well, the Lavender Scare was a similar thing: throughout the 1950s, gay men and lesbians were fired from government jobs due to prejudice (the "official" reason was that they would be "easy to blackmail" into giving away government secrets to the Communists). Which tells you a lot about attitudes towards homosexuality during that time period (don't forget it was classified as a mental disorder in the DSM at this time, too).
So, I'm sorry, but I'm just having a really hard time figuring out why an author would pick the 50s, the time of the Lavender Scare, to write this sweet M/M romance set in an idyllic small town "when things were simpler" Way Back When. It is just way too dissonant for that kind of story.
To be fair (sorry, spoilers), Amorea could have been over-idealized, with all the negative parts of the 50s scrubbed away from it. But still. There's no discussion (that I saw) in the book of the fact that this depiction of the 50s has been sanitized and that things weren't actually great for gay men/mlm back then. It frankly reads as though the author just didn't know about the Lavender Scare coinciding with this time period, meaning no, the 50s were not that idyllic for anyone who wasn't a straight white man.
As a history major, this bugs me a lot.
And to go beyond the Lavender Scare for a moment: The author has explicitly said that the book was meant to be "a love letter to 50s Americana" and that's certainly how the story feels—like a deification of small-town rural white America.
I've never understood the fetishization of the 50s. (Maybe because I'm a person of color.) But for sure, that nostalgic yearning for the 50s is a very straight white American thing, because it was straight white people, especially straight white wealthy men, who were benefitting most in the 50s. So to have this nostalgic, idyllic view of the 50s seems very alienating towards anyone who is not a straight white wealthy man—as though people of color, LGBTQ people, etc. didn't exist, or didn't matter.
It's very unsettling. Especially when you look at recent events—the rise of racism and the backlash against feminism and LGBTQ rights. It's unsettling because the idealized image of 50s small-town rural white America is exactly the kind of America Trump supporters want to "return" to.